It’s a sound every mix engineer should have on lock-down for bass, acoustic guitars, vocals and much more. This means the transients are dealt with in a transparent way, but the larger body of the material benefits from a soft and musical levelling as the final ten or twenty percent of the gain reduction lingers before the next transient. When you start to use the CL 1B, you’ll be in control of a very special unit indeed – the tendency of an opto compressor is to grab hold fairly quickly but then take a while to fully reset, with a strongly exponential release curve.
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